Wizards lizard msuci1/12/2023 ![]() “The album literally cost nothing,” Mackenzie laughs. ![]() Similarly executed in isolation, Butterfly 3000 takes the concept a purposeful step further, recorded entirely in the band members’ own homes, their studio and rehearsal space remaining out-of-bounds. and L.W., which, though begun traditionally, were completed during lockdown with the members finishing tracks remotely, as they were unable to congregate in the studio. ![]() I often feel like we’re aliens, compared to how others write and make and look at music.” The new album follows on from the two Gizzard full-lengths that preceded it, K.G. Maybe that’s an idiosyncratic way to approach music, but it’s the Gizzard way. “I feel most inspired when I’m not in competition with myself, and I’m always attracted to ideas that feel utterly new. “On Butterfly 3000, we’ve set some parameters we’ve never really touched on before,” says Gizz frontman Stu Mackenzie. The album sounds simultaneously like nothing they’ve ever done before, and thoroughly, unmistakeably Gizz, down to its climactic neon psych-a-tronic flourish. But their 18th album, Butterfly 3000, might be their most fearless leap into the unknown yet: a suite of ten songs that all began life as arpeggiated loops composed on modular synthesisers, before being fashioned into addictive, optimistic and utterly seductive dream-pop by the six-piece. They’ve even invented their own musical instrument – a hybrid electric guitar sharing much of its DNA with the traditional Turkish bağlama – to explore the notes between the notes (a mission that’s yielded three albums thus far: Flying Microtonal Banana, K.G. Over 11 years and across their 17 studio albums to date, the sui generis sextet have turned their many hands to luminous acid-rock daydreams (I’m In Your Mind Fuzz), gritty western horse operas (Eyes Like The Sky), never-ending science-fiction song cycles (Nonagon Infinity), dystopian death-metal epics (Infest The Rat’s Nest) and winningly mellifluous jazz-folk (Sketches Of Brunswick East). Check it out below.King Gizzard & The Lizard Wizard have always greeted creative boundaries with the same respect bulldozers visit upon anything foolish enough to stray into their path. The “Iron Lung” video is all melting cosmic graphics, and the band used animated artificial intelligence to put it together. In a press release, band member Stu Mackenzie says, “We wrote the lyrics as a group and created the music out of improvisation. Today, they’ve also shared the free-flowing nine-minute rave-up “Iron Lung.” It’s a percussive acid-rock explosion with some nice, sinuous riffage and a whole lot of guitar theatrics, and it sounds like the work of a fully locked-in jam band. King Gizzard & The Lizard Wizard already shared “ Ice V,” a 10-minute track that’ll appear on Ice, Death, Planets, Lungs, Mushrooms And Lava. Over the course of a week, the band went into the studio every day, picking a BPM and a mode of the major scale, and then using those to jam all day long. That album, like the others, was built around a specific methodology. The first of those albums is called Ice, Death, Planets, Lungs, Mushrooms And Lava, and it’s coming later this week. Over the course of this month, the unreasonably prolific Australian psych-rock beasties King Gizzard & The Lizard Wizard are going to release three brand-new albums.
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